Amanda Silberling
Fatsis is, though. Throughout this book (and in subsequent writing), he flirts with the narrative that Merriam-Webster is in big trouble, as “another early twenty-first-century digital media outfit battling to survive an increasingly bookless world,” goosing traffic with games and spinning toward obsolescence. He writes, concerning the dictionary’s years of struggle, that “I was never rooting for that story, just chronicling it,” adding that he was glad to see the clicks and revenue recover. Still, it’s hard to shake the sense that Fatsis is skeptical about its future and keen to sniff out doom. A catastrophe would make for a zestier book. That things eventually bounce back means that he seems uncertain, in the end, what to say about the dictionary. Over the decade-plus he spent thinking about it, it had some ups and some downs. Its future is unclear, but so is the future in general.
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